'...there is nothing so pleasant and wholesome to the human heart as to love and be loved.’
Alison, Lady Cockburn
Alison Rutherford, Lady Cockburn, (1714-94) was an Enlightenment songstress and poet. She was a leading light in Edinburgh literary circles.
Alison was the daughter of Mr Rutherford of Fernilee, Selkirkshire. She married Patrick Cockburn, a younger son of Adam Cockburn of Ormiston, the Lord Justice-Clerk of Scotland. When they were first married she lived in her father-in-law’s house. He was a strict Presbyterian who strongly disapproved of dancing, the theatre and playing cards.
When her father-in-law died, Alison and her husband set up house in Edinburgh. She made up for lost time by attending countless dances, balls and theatre performances and became an adept card player.
'She maintained the rank in the society of Edinburgh which Frenchwomen of talents usually do in that of Paris.’
Sir Walter Scott
During the Jacobite rising of 1745, when Edinburgh Castle was under siege, Lady Cockburn was intercepted in a carriage carrying a song she had written parodying Bonnie Prince Charlie and the Jacobites. Luckily she was allowed to go with a warning but was ‘not a little alarmed’.
Lady Cockburn’s talents for conversation were legendary. She was very fond of parody and delighted in parties and dances.
'On Wednesday I gave a ball!... Our fiddlers sat where the cupboard is, and they danced in both rooms; the table was stuffed into the window, and we had plenty of room... nine couples always dancing. I made the bairns vastly happy.’
‘At the Archers’ Ball all merry, and men, maidens and matrons danced. I love to hear of it. It is like the days of my youth and health.’
Alison, Lady Cockburn
She was friend of David Hume and saw the young Walter Scott’s potential. She wrote a great many songs but is most remembered for her version of the the traditional Scottish ballad 'The Flowres of the Forest', to which she was inspired by the bankruptcy of a number of gentlemen in her native Selkirkshire.
Lady Cockburn was very proud of her long auburn hair. She refused to wear the customary black bonnet of a widow when her husband died. Walter Scott noted that her hair ‘remained unbleached by time, even when she was upwards of eighty years old.’
She was an independent and unconventional woman. She refused to be told what to do or how to act throughout her life.
‘In a long life I have been blest with many friends – I believe I have not one enemy for which I bless God – my heart is grateful to my God and my friends.’
Alison, Lady Cockburn
Portrait of Alison Rutherford. From page 9 in 'Sir Walter Scott’s Friends' by Florence MacCunn. Published by John Lane Company (1910) and digitised by the Universal Digital Library.
Dr James Graham going along the North Bridge in a high wind. From page 32 of Kay's Orginals, Vol. 1(c.1880s). Digitised and published by Edinburgh Bookshelf.
The Lovers [illustrating the fashions of the late 18th century]. From page 393 of Kay's Orginals, Vol. 2 (c.1880s). Digitised and published by Edinburgh Bookshelf.
French portrait painter De Latour with a portrait of a favourite cat. From page 183 of Kay's Orginals, Vol. 2(c.1880s). Digitised and published by Edinburgh Bookshelf.
The text and original documents of Lady Cockburn's Will, in which her sister Faimillie receives £20, a ring and 'the charge of my favourite Cat'.
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