
A male voice with a range in between the bass and tenor voices. Listen to an excerpt from a musical and notice the rich orchestral accompaniment, the harp playing arpeggios, and note that the song is sung with rubato, ie elasticity of tempo, and that this excerpt ends on an imperfect cadence.
(Simon Keenlyside, a baritone operatic and recital singer).
A male alto voice, most often used in Baroque and Renaissance music. Listen to an excerpt from Handel's 'Messiah’.

Listen to an excerpt of this middle-range female voice with a timbre halfway between soprano and alto. This is an aria from a Mozart opera from the Classical period and on this occasion is accompanied by piano. Listen for the arpeggios in the accompaniment.
(Felicity Palmer, a Mezzo soprano operatic and recital singer.)
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