A Gaelic song from the Outer Hebrides which was a work song for waulking (softening) the cloth woven in the crofts. It is distinctive in its bumping sound as the cloth is waulked across the table.
Here is a more modern version sung by Runrig which starts in traditional way and then some extra rhythm is added.
A style of Gaelic singing originally used to imitate instrumental music for dancing. After the 1745 Jacobite rebellion, musical instruments were confiscated and banned in the Highlands, particularly the bagpipes, and as a result all music for social occasions had to be sung. Therefore music which had originally been played on pipes and other instruments was sung much in the style which you hear in this excerpt.
A song which tells a story. It is in strophic form, which means the same music is repeated for each verse. Listen to this performance of 'Comin' thro' the Rye' by young students from the National Centre for Excellence in Traditional Music based at Plockton High School.
A Scottish song in strophic form which was sung by farm workers. They generally told of life on the farm and had a chorus of nonsense syllables, for example: ''Rowtin' owtin' owtin' addie, rowtin' owtin' owtin' aye'. The verses were usually sung by a solo voice while others joined in the chorus. They were performed unaccompanied and often originated from Aberdeenshire.
Slow traditional Scottish melody in the style of a song. Usually played on a fiddle or bagpipes. Many examples were written by Scott Skinner.
A fast dance in compound time, usually with two beats in a bar. Being in compound or 6/8 time, the music has that skipping sound associated with the nursery rhyme 'Humpty Dumpty sat on a wall'.
First listen to this example played by an accordion.
Here are some other examples from a Scottish dance band
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